11 - 2021 - NegativeTherapy.com

Our neurotic pain comes about both because of the way in which we are compulsively driven to maintain a false and limited idea of ourselves and because of the tremendous constriction of possibilities that this false idea of who we are brings about.

We are ‘caught both ways’, so to speak, we’re caught because of the absolute need to go on maintaining the self-image, which is a job that just goes on and on, and we’re caught because we are forced to live in a world that is predicated upon the supreme importance of this self, the unquestionable centrality of this self. We have made our bed, which took (and continues to take) an awful lot of effort, and so now all that is left is for to lie in it, which turns out to be no fun at all. How can working away ceaselessly at maintaining and refining a situation that denies our true nature be ‘fun’?

The maintenance of the idea that we have of ourselves is a pain and being that self is a pain too, so this isn’t exactly a good situation to be in. It’s also not a situation that we will recognise as being ours – the only time we do start to relate to our situation in a more honest way is when neurosis starts to close its teeth on us and we really and truly start to ‘feel the pinch’. This isn’t to say that we automatically get to understand the nature of our predicament and where our pain is coming from when this happens – the suffering comes first and the understanding comes a lot later, if it does. It is entirely possible to continue suffering for years from neurotic pain without having the slightest bit of insight into what’s going on and this pain-filled delay between ‘feeling the pinch’ and ‘learning the lesson’ isn’t helped by the fact that we live in a society that is not ‘psychologically-minded’, a society that functions by alienating its members both from the natural world and our true (or ‘unprogrammed / spontaneous’) nature. We are after all a distraction-based culture, not an insight-based one!

The chance that we will learn something (learn freedom) from our neurotic suffering is there for sure but one big problem we face is therefore that as a collective we do not acknowledge this pain (or any pain) as being a necessary precursor of insight and that we are – moreover – absolutely dead set against doing so. Society most certainly doesn’ttell us that we should be careful about identifying with the act that we ourselves have put on in case we forget who we really are in the process. Of course we aren’t told this – we’re given the opposite message, we are encouraged to identify as much as we can with the image, the role, the act that we are putting on, in order to conform to the script. This is only to be expected – society is a game and so we are encouraged to play the game (because the game is no good if we don’t play it). We are encouraged to ‘be what we are supposed to be’ within the generic terms of the narrative that has been provided for us and the narrative doesn’t warn us about itself.

This ‘encouragement’ (if we can continue to use that inappropriately mild word) is indirect rather than direct, implicit rather than explicit, hinted at rather than stated, since no one concerned wants to draw attention to the fact that the game is a game (which really means that the game doesn’t want to draw attention to the fact that it is a game, since we ourselves don’t actually know what we’re doing). We are shown images of adapted game-players (who are so well adapted that they don’t even know that they are playing the game) having a rich and meaningful life and as a result we take on board (quite unconsciously) the message that this is the way to find happiness and fulfilment. Just to give what is probably the most obvious example of this sort of thing, we might point to the advertising industry. We might think that adverts are there to promote the specific product that is being sold but what’s really being sold here is the game itself, as John Berger says in Ways of Seeing. The game is selling itself to us (because if it doesn’t sell itself to us no one else will).

When we look into it we can see that advertising and promotional activity are only a small part of the package, therefore. How people are presented in the media in general is a bigger part because that creates the template from which we unconsciously (or consciously) work. Another key element is what we might call ‘our own individual contribution to the essential lie’ – those of us who are doing well in the game (for example) are tacitly expected to cultivate ‘the mystique of success’ so that the other players will become envious and invest more in the game as a result. On the other hand, those of us who are doing badly according to the high standards of the social adaptation game have to be generally disregarded and – if possible – swept out right out of sight so that the negative side of the theatre doesn’t impinge on us any more than it has to. This accounts for the existence of the stigma attaching to those of us who are affected by mental health conditions. Neurotic suffering is an inevitable result, given our trivial and inauthentic way of life (which is nothing other than ‘the Generic Life’) and given the fact that all we ever do (when we’re in the Generic Mode of Living) is distract ourselves from feeling how we’re really feeling or from thinking what we’re really thinking, it is only natural (in a manner of speaking) that we should distract ourselves from seeing that we are a distraction-based culture. That’s not the image we want, after all.

Another aspect of this is the way in which we blame those who fail in the social game and ascribe that failure to personal shortcomings (or culpability) on the part of those who are conspicuously failing to make the grade, thereby saving ourselves the trouble of having to think any more about them. ‘Judging’ means that you don’t have to think about it anymore and that is of course why we love judging so much – that is the beauty of having a narrow judgmental mind! The fact that we don’t look at anything except in a purely superficial way means that we’re able to carry on playing the game therefore – the status quo can continue unabated (for all the good that this does) and we are – as we have said – all very invested in that. That is our conservatism – we want to ‘conserve the game’ at whatever cost. To play the game is to be invested in the game because when we play we fall into the trap of having to play; the social game is an addiction in other words, just like gambling or taking heroin. We commit to playing the game as much as we do because we think that it’s going to work out for us, even though it never can; the game never works out for anyone precisely because it is only a game. The fact that we continue to think that it’s ‘a good idea’ to carry on with what we’re doing is due to delusion and nothing more.

All of this comes down to one very simple thing – we are encouraged (or rather railroaded) into identifying with a particular limiting image of ourselves (‘limiting’ because all images are limiting). There is a definite or concrete identity there on the shelf and we are manoeuvred into believing that it is us, that it is who we are. Out of our hunger for identity a marriage is made, albeit an unhappy one. We are all too keen to find an identity for ourselves – in current times more than ever. There is a hunger for identity such has never been seen before, it seems, and it is a measure of just how much the all-defining Generic Mind has us in its pocket – effectively cut off from the inner life (which is the only thing we’ve really got going for us) we have no choice but to embrace the outer (or generic) life, which is an inauthentic and trivial life that faithfully reflects societal values but which – in doing so – utterly denies the individual.

Image – ways-of-seeing.com

The official narrative always contains our own invisible hollowness. Whatever is done on the basis of this narrative is always going to be hollow – that’s the gift that it gives us. That is the gift that the official narrative gives us every time. What else would we expect, after all? If we are prepared to accept someone else’s account of what our lives are supposed to be about then we would surely expect for there to be some kind of downside to this. The official narrative is safe – or at least, it is safe inasmuch as following what some unquestionable external authority says is ever going to be safe. It is safe (we might say) in the sense that we won’t get caught out thinking or doing anything different to what everyone else is thinking and doing and so if the majority has good sense and is acting in a reasonably wise manner then we won’t make any terrible mistakes by foolishly venturing off on our own. It isn’t safe, on the other hand, if we consider that everyone else is just blindly copying each other just like we are! If everyone is blindly copying everyone else (and no one really knows what they are doing) then where is this going to lead us? Where is the good sense in this? Good sense comes from actual individuals, not from the collective. What comes out of the collective are dangerous psychic contagions, as Jung says. Nothing good comes out of the mass mind….

This obvious enough but all the same none of us are prepared to admit that this is what we’re doing. We all know that the strategy of copying what everyone else is doing so we won’t be caught out being ‘the odd one out’, or so that we won’t make some kind of terrible mistake by acting on our own untested and unproven impulses cannot really be expected to result in anything good but this is nevertheless what we are all doing. We’re going along with the social script, we’re living our lives in accordance with the formula that has been provided for us, and what this means is that we’re not taking any responsibility for our own lives at all. We’ve handed responsibility over to some sort of unexamined group instinct, we’ve handing over the reins to the consensus viewpoint, to the dubious process of mass-mindedness and collectives of people don’t have any sense, as Jung says. The bigger the collective the less sense there is! A very big collective has no sense at all! The collective has ‘everything on the outside but nothing on the inside’ – it is in other words ‘impressive but at the same time hollow’.

Contemporary culture as a whole is (we might say) ‘impressive but hollow’ – it can certainly look pretty amazing on the outside but were we to examine it we would discover that there is no actual content. Contemporary culture is ‘content free’ – it is ‘content free’ in the sense that it is all packaging and promotional frills with nothing behind it. It is composed of hyperreal fluff that pointlessly expands until it fills up all the available space; it is essentially a cul-de-sac that is being sold to us as a highway to somewhere great and meaningful. We are encouraged to see ourselves as a dynamic, forward-thinking civilization that is constantly progressing, constantly advancing and which embraces all the right values. This is the story that we tell ourselves – the only problem being that it isn’t a true story.

We are a culture, and we also say that we have culture. This is important for us to say because it shows that we have some sort of content. We will point to art, literature, theatre, poetry, ballet, dance and so on and we will say that this is our ‘culture’; There is something to us in other words, and so we are deserving of respect on this basis. We justify ourselves in this way and – being thus justified – we feel content to rest on our laurels. But if it is the case that the function of our ‘culture’ is to enable us to carry on as we are then this is nothing more than a joke. As James Carse says, the function of art is to destabilise society, not stabilise it. Art is always revolutionary and if it isn’t then it isn’t art or culture at all – it’s something else. If it isn’t revolutionary then it is merely ‘societal propaganda’, it is merely an advert for society dressed up as being somehow more than this.

This isn’t to say that art actually does have a function, which would be hugely demeaning of it! If something has some sort of function then this means that it is subservient to some idea or other. This means that art is serving some kind of ‘finite end’ and so it is nothing more than a ‘cog in the machine’. A cog in a machine is the machine and machines have nothing to do with art, nothing to do with ‘the transcendent’. Cogs and wheels and machine-like processes are the complete reverse of transcendence – cogs and machines are all about ‘locking onto the one concrete possibility’ and making that possibility to be the only important thing. A machine is always about facilitating the process of reification in other words, and reification is the exact antithesis of transcendence. What this means (of course) is that there can’t be any such thing as a procedure or strategy for growth or transcendence and procedures / strategies are what the machine is all about.

Society, as Ivan Illich says, is ‘a system of techniques’ – it is a system that is made up of ways of getting from A to B. The official narrative is that the movement from A to B is a meaningful movement, an important movement, a real and vital movement, and this is why we invest in the system as much as we do (which is to say totally). If we define mental health as the ongoing movement beyond the known, beyond the approved and accredited status quo, then we can say that society never enables growth, never enables mental health – the collective of us is a machine and machines are all about reification not transcendence, as we have just said, and what is being made concrete is the socially-conditioned self.

This socially-conditioned self is like culture, is like society – possibly very impressive on the outside whilst being utterly hollow on the inside. It is – like society as a whole – a ‘managed appearance’, an ‘act’, and so of course it can’t help being hollow. Being hollow, the socially-conditioned self is therefore always seeking, always striving, always searching, and what it is searching for is the remedy for this hollowness, this ‘blankness on the inside’. That is why we are kept engaged in the mechanism of society – because we believe that by playing the game which has been presented to us we are going to find fulfilment. It is the fact that the reified self is always going to be driven by the need to find relief from its own invisible hollowness that keeps the wheels turning and so we can say, uncontroversially enough, that the reason the process by which the self is reified is promoted so heavily by our culture is because this is essential for society (as we know it) to keep on thriving. Our invisible hollowness is thus ‘the battery’ that keeps the machine running.

Our hollowness is ‘invisible’ because we because the world we conduct our lives within is itself hollow – hollowness is all we know and so we can’t ever spot it. The narrative that we live by is itself nothing other than disguised hollowness – we’re always having our attention directed towards whatever drama it is that is going on and this prevents us from seeing that the one who is engaged in the drama (which is to say, ‘the reified self’) isn’t actually there, is only ‘an assumption that we have made and then forgotten about’. We are in other words convinced that life is something that has to be found ‘on the outside’ (which is to say, ‘the world of appearances’) and – because of our state complete absorption in (or fascination with) the outside – we simply don’t know that there is (or could be) an inside. As far as we’re concerned the outside is all there is and so – for us – it isn’t ‘the outside’ at all.

Our ‘invisible hollowness’ – which is a present from the Mind-Created Narrative – drives us to keep looking within the social game for fulfilment, we are driven to engage more and more in society (which is to say, to utilise the techniques and procedures which are society) but all that engaging in these techniques and procedures will do is reify us all the more, which causes us to be even more hollow, which causes us to throw ourselves into the social game even more. This is therefore a ‘perfect plan’, we might say, with the proviso that it is perfect as far as a system or machine itself is concerned. It certainly isn’t perfect as far as we as individuals are concerned – how can it be when the individuality which is who we are is thoroughly repressed in favour of the theatrical or reified self? When we allow ourselves to be guided in all things by the ‘official narrative’ then – in other words – we forfeit the ‘inner life’. We forfeit the inner life and what we get instead is the outer life, the generic life, the life that is made up entirely of appearances that has to be constantly maintained, and this ‘outer life’, this life that takes place entirely within the Realm of Appearances, isn’t real.

Image: wallpapersmug.com

Month: November 2021

Society Reifies Us